I write about inequality in international development, American communities, environmental movements, and workplaces. I’ve been doing this reporting for over a decade. I’ve also worked in global health, an experience that has given me a first-hand glimpse into the depths and texture of inequality we have manufactured in our current world, including within the organizations and movements that purportedly challenge such global inequality. As a reader, I’m equally passionate about immersive nonfiction and fiction. I’ll dive into anything that’s driven by a good story.
I wrote
We Are Not Able to Live in the Sky: The Seductive Promise of Microfinance
I first read this book over a decade ago, and it has remained one of my favorites ever since. It is moving and exquisitely written, offering a close view of a community living on the edge of one of India’s biggest cities and exploring what it means to live on the cusp of wealth but mired in poverty.
Mostly, it is deeply human and a real page-turner. I expect this will remain my Holy Grail of writing and storytelling for a long time.
NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • NAMED ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE
“Inspiring . . . extraordinary . . . [Katherine Boo] shows us how people in the most desperate circumstances can find the resilience to hang on to their humanity. Just as important, she makes us care.”—People
“A tour de force of social justice reportage and a literary masterpiece.”—Judges, PEN/John Kenneth Galbraith Award
ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times • The Washington Post • O: The Oprah Magazine • USA Today •…
I should start by saying that Thiong'o has recently been accused, by his son, of beating his former wife, claims I take very seriously (and which has put my reading of Thiong'o’s female characters in a new light).
In this book, I found a sharp, cunning satire of despotic post-colonial governments working with and shaped by international funders and Western policymakers. Having worked in NGOs, I found Thiong'o’s characterization of “development” to be darkly funny and cringe-worthily accurate.
Informed by traditional African storytelling, discover Ngugi wa Thiong'o's masterpiece.
To honour the Ruler's birthday, the Free Republic of Aburiria set out to build a tower; a modern wonder of the world that will reach the gates of Heaven. But behind this pillar of unity a battle for control of the Aburirian people rages. Among the contenders: the eponymous Wizard, an avatar of folklore and wisdom; the corrupt Christian Ministry; and the nefarious Global Bank.
When a friend told me about this book, I was immediately taken by the title. Who could resist? The novel reads like a dream; it took me a little while to get situated in time and space but in a deliciously languid way.
I loved the way the author considers the intimate ways that bureaucracy and authoritarianism work themselves into one person’s daily life and the creaky after-effects of British bureaucracy across the former Empire. I appreciated that nothing is idealized here; no one comes out looking pretty.
This is a whopper of a book, yet I flew through it even at 544 pages. Graeber’s knack was to take something we all look at daily and make it foreign, allowing for a fresh, new examination.
I particularly liked how he considered the social ramifications of debt and how debt factors into many features of our lives—not just when it comes to money, but in our relationships, our communities, and our understanding of each other. I have quibbles with some of the framing and assertions, but I’ll be thinking about aspects of this book for a long time.
The groundbreaking international best-seller that turns everything you think about money, debt, and society on its head—from the “brilliant, deeply original political thinker” David Graeber (Rebecca Solnit, author of Men Explain Things to Me)
Before there was money, there was debt. For more than 5,000 years, since the beginnings of the first agrarian empires, humans have used elaborate credit systems to buy and sell goods—that is, long before the invention of coins or cash. It is in this era that we also first encounter a society divided into debtors and creditors—which lives on in full force to this day.
I was particularly fascinated with this book because I lived in Sierra Leone for several years, and part of the book I wrote takes place there. But I think that anyone who is interested in the history of colonialism, West Africa, and/or modern capitalism and the ongoing effects of that history will find it interesting.
Sierra Leone is unique in that it was conceived of as a place for freed slaves; the British have long championed this as an example of one of their “good” colonial projects. Scanlan details how this “humanitarianism” entailed reformulating a population, particularly people’s ideas about money and debt, to instill specific notions about what it meant to be “civilized” that still reverberate today.
A history of the abolition of the British slave trade in Sierra Leone and how the British used its success to justify colonialism in Africa
British anti-slavery, widely seen as a great sacrifice of economic and political capital on the altar of humanitarianism, was in fact profitable, militarily useful, and crucial to the expansion of British power in West Africa. After the slave trade was abolished, anti-slavery activists in England profited, colonial officials in Freetown, Sierra Leone, relied on former slaves as soldiers and as cheap labor, and the British armed forces conscripted former slaves to fight in the West…
This book is a critical history of microfinance, tracing the rise of an idea—why it is that small loans given to poor people became briefly famous, then disappeared from public view. Readers will learn about international development, women’s movements, independence movements, neoliberal economics and policy, and how private finance came to dominate parts of microfinance.
The book follows two groups of borrowers in Sierra Leone, West Africa. Some face jail time, and many contend with the social shame of being a debtor. All try their best to make the loans work for them, even under significant constraints. Their narratives are paired with stories of microfinance advocates: young Peace Corps workers, economists, and aid workers, all convinced they can change the world.
I once saw a play at the renowned Oregon Shakespeare Theatre. A play about Sor Juana. It was a good play, but it felt like something was missing like jalapenos left out of enchiladas. The play kept nudging me to look further to find Sor Juana, and so for the next five years, I did so. I read and read more. I listened for her voice, and that is where I heard her life come alive. This isn’t the only possibility for Sor Juana’s life; it is just the one I heard.
Sor Juana Ines de la Cruz, this brilliant 17th century nun flew through Mexico City on the breeze of poetry and philosophy. She met with princes of the Church, and with the royalty of Spain and Mexico. Then she met a stunning, powerful woman with lavender eyes, la Vicereine Maria Louisa, and her life changed forever. As her fame grew, she dared to challenge the diabolical Archbishop once too often, and he threw her in front of the Inquisition, where she stood, alone.
Sor Juana's work is studied still today, and justifiably so. Scholars study her months on end; mystics…
This astonishingly brilliant 17th century poet and dramatist, this nun, flew through Mexico City on wings of inspiration. Having no dowry, she chose the life of a nun so that she might learn, so that she might write, so that she might meet the most fascinating people of the western world. She accomplished all of that, and more.
One day a woman with violet eyes, eyes the color of passion flowers, entered her life. It was the new Vicereine, Maria Luisa. As the two most powerful women in Mexico City, the bond between them crossed politics and wound them in…
